
Latest from E. Nina Rothe


“Cinema is a vehicle for emotions”: An interview with Mehdi M. Barsaoui, Sami Bouajila and Najla Ben Abdallah about ‘A Son’ in Venice

‘The Perfect Candidate’: Five lessons I learned from Haifaa al-Mansour in Venice

Gitanjali Rao’s ‘Bombay Rose’ tackles India’s big issues while wrapping them in a stunning package to delight its audience

Roberto Minervini asks ‘What You Gonna Do When the World’s On Fire?’

Dancing through life’s pain with grace: Damien Manivel’s ‘Isadora’s Children’ at Locarno

“To see with compassion”: Filmmakers Ritu Sarin and Tenzing Sonam talk about their stunning latest ‘The Sweet Requiem’

“To have this fantastic product that’s sustainable for eons to come”: Creative Director Sebastian Dollinger talks Eton’s mission

Aude Léa Rapin on her film ‘Heroes Don’t Die’: “To live better, people need to believe in something”

Breaking Through the Lens: Women filmmakers smashing the glass ceiling in Cannes

What I learned from Greta Schiller’s beautiful film ‘Before Stonewall’
