
cinema with a conscience


Wisdom from an acting heavyweight: Edward Norton at the Rome Film Fest

View “life through a different lens”: Lessons from a masterclass of cinema greats in Venice

Redefining the American classic: Why it’s important to watch Grear Patterson’s ‘Giants Being Lonely’

Filmmaker Yonfan talks freedom, Chop Suey and his award-winning ‘No. 7 Cherry Lane’ in Venice

Watch ‘Woman’ by any means necessary: A talk with Yann Arthus-Bertrand and Anastasia Mikova in Venice

Luca Marinelli, Coppa Volpi winner for Best Actor in Venice, answers three questions

“It’s a universal story”: Shahad Ameen on her film ‘Scales’ in Venice

“I think cinema is experience”: Amjad Abu Alala’s ‘You Will Die at Twenty’ in Venice

Focusing on ‘Becoming Nobody’: Why Jamie Catto’s documentary on Ram Dass is a must-watch!

“Cinema is a vehicle for emotions”: An interview with Mehdi M. Barsaoui, Sami Bouajila and Najla Ben Abdallah about ‘A Son’ in Venice

‘The Perfect Candidate’: Five lessons I learned from Haifaa al-Mansour in Venice

Gitanjali Rao’s ‘Bombay Rose’ tackles India’s big issues while wrapping them in a stunning package to delight its audience

Roberto Minervini asks ‘What You Gonna Do When the World’s On Fire?’

“To see with compassion”: Filmmakers Ritu Sarin and Tenzing Sonam talk about their stunning latest ‘The Sweet Requiem’

Sea of Shadows: New Eco Documentary Serves to Save Endangered Species & Curb Cartels

Aude Léa Rapin on her film ‘Heroes Don’t Die’: “To live better, people need to believe in something”

Cinema which does good, for the good of mankind: MediCinema in Cannes

“Redefine what a heroine is”: Algerian filmmaker Mounia Meddour on her ‘Papicha’ in Cannes

“To know in first person what it feels like to be oppressed”: ‘Canción sin nombre’ by Melina León in Cannes

In ‘Litigante’ filmmaker Franco Lolli deals with his mommy issues, beautifully

Hook Up 2.0 and That Which Does Not Kill: Two films navigating sex in the age of #MeToo

Life Hacks: Valuable lessons I learned from master filmmakers at Qumra

“Cinema has a responsibility”: Rithy Panh on history repeating and the power of remembrance
